PLAY REVIEW: GHOST STORIES
With one of the biggest horror plays since The Woman in Black returning to London once more, Sam stopped by the Lyric Theatre in Hammersmith to see Ghost Stories. They… Read More »PLAY REVIEW: GHOST STORIES
Sam Essame
PLAY REVIEW: BERBERIAN SOUND STUDIO
With the Donmar Warehouse producing the first stage adaptation of Peter Strickland’s 2012 horror film, Sam stopped by to catch the penultimate performance of Berberian Sound Studio. “Silence is what… Read More »PLAY REVIEW: BERBERIAN SOUND STUDIO
GOODNIGHT MR. SPINDRIFT: INTERVIEW WITH NANCY NETHERWOOD
With the London Horror Festival Playwriting Competition’s 2018 winner, Goodnight Mr. Spindrift is about to have its first full stage production at the Old Red Lion. We checked in with playwright… Read More »GOODNIGHT MR. SPINDRIFT: INTERVIEW WITH NANCY NETHERWOOD
PLAY REVIEW: APRIL
After Carnival of Crows, I popped into Vault Festival again to see Hermetic Arts’ April, a one-woman show of a ‘Positive Thinking guru for the YouTube generation’. P-O-S-I-T-I-V-E… P-O-S-I-T-I-V-E… These… Read More »PLAY REVIEW: APRIL
PLAY REVIEW: CARNIVAL OF CROWS
Visiting Vault Festival in the spray-painted tunnels beneath Waterloo Station, I popped in to catch Carnival of Crows, a one-woman show about a travelling freak circus in Victorian London. Performed… Read More »PLAY REVIEW: CARNIVAL OF CROWS